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Sciaroni, Rose – Philosophy of Music Education Review, 2019
In the pedagogy of Western classical string music, creativity is often viewed according to the works of luminary composers, suggesting the question: how might string teachers, students, and musicians conceive of creativity? After problematizing standard definitions and ontological ideas of musical creativity, I outline an open model using the…
Descriptors: Teaching Methods, Music, Music Education, Creativity
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Fossum, Hanne – Philosophy of Music Education Review, 2017
Despite today's proclaimed open-mindedness, a certain uniformity of thought, followed by a flattening of practices, can be observed in the processes of quality improvement in higher education. This narrowing of thought, which I call "relevance rationality," is an offshoot of instrumental reason and represents a debased,…
Descriptors: Music, Music Education, Music Teachers, Models
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Haskins, Stanley – Philosophy of Music Education Review, 2013
The concept of "gradually adaptive frameworks" is introduced as a model with the potential to describe the evolution of belief evaluative systems through the consideration of reasonable arguments and evidence. This concept is demonstrated through an analysis of specific points of disagreement between David Elliott's praxial philosophy…
Descriptors: Music Education, Models, Educational Philosophy, Epistemology
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Haskins, Stanley – Philosophy of Music Education Review, 2013
The concept of "gradually adaptive frameworks" is introduced as a model with the potential to describe the evolution of belief evaluative systems through the consideration of reasonable arguments and evidence. This concept is demonstrated through an analysis of specific points of disagreement between David Elliott's praxial…
Descriptors: Music Education, Aesthetics, Philosophy, Advocacy
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Pierce, Deborah L. – Philosophy of Music Education Review, 2012
Musicians, like athletes, daily face the stark reality of physical and psychological health issues that can negatively affect or end their careers. Research shows compelling reasons for making changes to the value systems and in the educational process under which musicians are trained to help alleviate these problems. Changes would include…
Descriptors: Evidence, Music Education, Music, Musicians
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Panaiotidi, Elvira – Philosophy of Music Education Review, 2005
In this paper, the author attempts to extend the paradigm approach into the philosophy of music education and to build upon this basis a model for structuring music education discourse. The author begins with an examination of Peter Abbs' account of paradigms and paradigm shifts in arts education. Then she turns to Kuhn's conception and to his…
Descriptors: Models, Music Education, Educational Philosophy, Theories
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Stokes, W. Ann – Philosophy of Music Education Review, 2005
In this article, the author, W. Ann Stokes, responds to Estelle Jorgensen's paper contrasting four different concepts of the relationship between theory and practice, and pointing out the advantages and disadvantages of each. Each approach introduces insights that the others have missed, but is not sufficient in itself to explain all the…
Descriptors: Theory Practice Relationship, Educational Philosophy, Models, Music Education
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Allsup, Randall Everett – Philosophy of Music Education Review, 2005
Each of the four philosophical models that Estelle Jorgensen has put forth contests, adheres to, or adjusts the hierarchical relationships between dualities, specifically the theory and practice of musical learning. Moreover, models of polarity, according to Jorgensen, accommodate dualities by buffering edges, emphasizing the interconnectedness of…
Descriptors: Theory Practice Relationship, Music Education, Educational Practices, Music
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Waldron, Janice – Philosophy of Music Education Review, 2005
In her response to Elvira Panaiotidi, Janice Waldron says that Panaiotidi makes a strong case that MEAE and praxialism represent, respectively, the poesis and praxis strands of the Aristotelian conception of art and that, consequently, one cannot conclude that the two accounts are ontologically incompatible. In this article, Janice Waldron, wishes…
Descriptors: Music, Music Education, Models, Educational Theories
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Rodriguez, Carlos Xavier – Philosophy of Music Education Review, 2005
Elvira Panaiotidi has delivered a very useful and appealing paper on the topic of how the music education community decides it is time to change the way it thinks and acts. Her primary focus is whether the concept of "paradigms" proposed by Thomas Kuhn in The Structure of Scientific Revolutions reasonably explains how change occurs in…
Descriptors: Models, Music, Music Education, Research Methodology
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Kurkul, Wenyi W. – Philosophy of Music Education Review, 2005
In her paper, Panaiotidi discusses the debate over the approaches in music education by Reimer and Elliott in the context of paradigm shifts. The term, "paradigm shift," was introduced by Thomas Kuhn in 1962 in his highly influential book, "The Structure of Scientific Revolutions." In this article, the author believes that what…
Descriptors: Music Education, Educational Philosophy, Models, Music
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Palmer, Anthony J. – Philosophy of Music Education Review, 2000
Explores consciousness studies as a basis for music education philosophy. Examines five areas: (1) background on human consciousness; (2) consciousness as seen from two paradigms; (3) music viewed from a larger perspective; (4) importance of music education as reflecting real-life music making; and (5) critique of music education practice. (CMK)
Descriptors: Educational Philosophy, Educational Practices, Higher Education, Models
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Boyce-Tillman, June – Philosophy of Music Education Review, 2000
Examines the way education in the United Kingdom is organized around the idea of passing on received wisdom, suggesting education is for life. Presents a model of the musical self to examine a range of musical experiences within the music curriculum. (CMK)
Descriptors: Acculturation, Creativity, Emotional Experience, Foreign Countries