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Miralis, Yiannis – Philosophy of Music Education Review, 2004
The name of Manos Hadjidakis is probably unknown to contemporary musicians and music educators. After all, the Greek composer achieved his international fame back in 1961 when he won an Oscar for his soundtrack of the movie, "Never on Sunday." Numerous other awards followed from England, Krance, Germany, and of course, Greece. After his…
Descriptors: Foreign Countries, Musicians, Music Teachers, Music Education
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Helfer, Jason – Philosophy of Music Education Review, 2004
There are two issues that struck the author, Jason Helfer, as essential from his consideration of Miralis' paper and the ideas of Manos Hadjidakis: Eros as a pedagogical idea and learner interactions in the music classroom. These ideas developed from his interpretation of Miralis' paper, from his experiences in teacher training, and teaching in…
Descriptors: Music Education, Teaching Methods, Ideology, Art
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Serghi, Lenia – Philosophy of Music Education Review, 2004
Manos Hadjidakis and his work are like his song, "O Mythos," for they take you from reality to fantasy and bring you back again. In Magnus Eroticus, the combination of lyrics and music is at the highest level of sensibility and the musical style of each song is superb. Music follows the verse to express its deepest meaning while…
Descriptors: Singing, Musical Composition, Democracy, Music Education