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Koza, Julia Eklund – Philosophy of Music Education Review, 2010
In the final installment of her two-part essay, Julia Eklund Koza analyzes prevalent control and management discourse in education, specifically, music education. Arguing that dominant understandings are hierarchical, gendered, illusory, and integrally related to projects and practices largely unrelated to schooling, she invites teachers and…
Descriptors: Music Education, Educational Objectives, Outcomes of Education, Teacher Educators
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Koza, Julia Eklund – Philosophy of Music Education Review, 2009
This essay examines control discourse in and out of educational settings, arguing that illusions of control are among the means by which governance is accomplished in domains far from schools. The tactical productivity of such illusions in non-school settings "necessitates" and explicates their prevalence in education. The first installment of…
Descriptors: Music Education, Discourse Analysis, Governance, Classroom Techniques
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Koza, Julia Eklund – Philosophy of Music Education Review, 2008
This article describes how admissions auditions at schools of music may demonstrate and participate in what critical race theorist, Gloria Ladson-Billings, calls the full social funding of race. Julia Eklund Koza argues that the construction of musical difference, which is an effect of power and is accomplished by the materialization of styles of…
Descriptors: Race, Music, Public Colleges, Minority Groups
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Koza, Julia Eklund – Philosophy of Music Education Review, 2006
In recent years saving the music has become a favorite project of major corporations, especially as privatization of public schooling has gained momentum. Here, the author presents examples of these projects like the corporate-sponsored initiative "VH1 Save the Music" which claims helping flailing school music programs. Among other things, she…
Descriptors: Culturally Relevant Education, Music Education, Public Schools, Corporate Support