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Showing 1 to 15 of 23 results Save | Export
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Martin, Jodie L. – British Journal of Music Education, 2018
Music notation is intrinsic in the composition and performance of Western art music and also in its analysis and research. The process of writing about music remains underexplored, in particular how excerpts of music notation are selected and arranged in a written text, and how that text describes and contextualises the excerpts. This article…
Descriptors: Music, Music Education, Writing (Composition), Writing Processes
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MacRitchie, Jennifer; Zicari, Massimo; Blom, Diana – British Journal of Music Education, 2018
Limited consideration has been given to the challenges young composers and performers face when learning to communicate through notation in contemporary classical music, and the specific opportunities presented for peer learning. This article describes a project at a Swiss music conservatory in which two student composers wrote pieces for solo…
Descriptors: Musical Composition, Classical Music, Music Education, Foreign Countries
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Kenny, Ailbhe – British Journal of Music Education, 2018
Within a rapidly changing higher education landscape, there is an increased need for universities to look beyond their 'ivory towers' and into their surrounding communities in preparing students for the 'real world'. Findings from an Irish case study explore a children's choral university-community initiative within an urban area of socio-economic…
Descriptors: Academic Achievement, Leadership, School Community Relationship, Case Studies
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Powell, Sarah J. – British Journal of Music Education, 2017
This paper reports on the findings related to the possible selves of males who participate in choir. It focuses on the perceptions of participants' past, present and future identities and the way these interact to influence decisions about choir. The paper is derived from a larger study, set in Australia, which investigated the perceptions of…
Descriptors: Singing, Males, Interaction, Foreign Countries
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Mok, Annie O. – British Journal of Music Education, 2017
This study investigates how a class of university music students who engaged in a "lived" experience of informal learning adopted methods and strategies to complete a self-learning "aural copying" performance assignment in a musicianship class in Hong Kong. Data were collected from observations of the performances and the…
Descriptors: Informal Education, Music Education, College Students, Learning Strategies
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Bonastre, Carolina; Muñoz, Enrique; Timmers, Renee – British Journal of Music Education, 2017
This work aimed to analyse factors related to conceptions and beliefs about expressivity in music among students and teachers. A questionnaire with 11 Likert-type items was developed covering the main factors included in the literature of teaching-learning of expressivity and emotion in music. Through exploratory factor analysis three factors were…
Descriptors: Music Education, Music Teachers, College Faculty, College Students
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Haddon, Elizabeth – British Journal of Music Education, 2016
This qualitative research examines the influence of learning Javanese gamelan on aspects of musicianship, attitudes and approaches relating to the learning and performance of Western instruments experienced by a sample of UK university music students. In addition to benefits to musicianship, students delineated positive developments in attitudes…
Descriptors: Foreign Countries, Music Education, Musical Instruments, College Students
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Czajkowski, Anne-Marie L.; Greasley, Alinka E. – British Journal of Music Education, 2015
This paper reports the development and implementation of a unique Mindfulness for Singers (MfS) course designed to improve singers' vocal technique. Eight university students completed the intervention. Five Facet Mindfulness Questionnaire (FFMQ) scores showed general improvement across all five facets of mindfulness. Qualitative results showed…
Descriptors: Perception, Metacognition, Attention Control, Singing
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Haddon, Elizabeth – British Journal of Music Education, 2014
This article contributes to research on music masterclasses through examining learning through observation. It investigates how students are learning as observers in this context; whether and how they will transfer their masterclass learning to their own instrumental/vocal development, and whether they have discussed learning through observation.…
Descriptors: Observational Learning, Student Attitudes, Program Implementation, College Students
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Harrison, Scott D.; Lebler, Don; Carey, Gemma; Hitchcock, Matt; O'Bryan, Jessica – British Journal of Music Education, 2013
Participation in an ensemble is a significant aspect of tertiary music experience. Learning and assessment practices within ensembles have rarely been investigated in Australia and the perceptions of staff and students as to how they learn and are assessed within ensembles remain largely unexplored. This paper reports on part of a larger project…
Descriptors: Musicians, Music Education, College Students, Case Studies
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Esteve-Faubel, Jose-Maria; Stephens, Jonathan; Molina Valero, Miguel Angel – British Journal of Music Education, 2013
The purpose of this investigation is to evaluate whether or not the allocation of time proposed in the Music Study Guide, adapted from the European Higher Education Area (EHEA) guidelines, is consistent and adequate for students with minimal musical knowledge. The report takes into account the importance of students' previous knowledge and the…
Descriptors: College Students, Higher Education, Music Education, Student Experience
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Blom, Diana; Encarnacao, John – British Journal of Music Education, 2012
The study investigates criteria chosen by music students for peer and self assessment of both the rehearsal process and performance outcome of their rock groups. The student-chosen criteria and their explanations of these criteria were analysed in relation to Birkett's skills taxonomy of "soft" and "hard" skills. In the rehearsal process, students…
Descriptors: Peer Evaluation, Self Evaluation (Individuals), Evaluation Criteria, Rock Music
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Gaunt, Helena – British Journal of Music Education, 2011
The power of one-to-one tuition in Higher Music Education is evidenced by its continuing place at the heart of conservatoire education. The need to examine this student-teacher relationship more closely has been emphasised in the last decades by increasing understanding of processes of student learning in Higher Education as a whole, and in…
Descriptors: Higher Education, Music Education, Interaction, Teacher Attitudes
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Haddon, Elizabeth – British Journal of Music Education, 2011
This paper explores the concept of instrumental/vocal learning when studying the same instrument or voice with more than one concurrent teacher. In this context, teachers may be working as a team, or one or both teachers may not know of the other's contribution to a student's learning. Qualitative data from music students and teachers at the…
Descriptors: Music Education, Music Teachers, College Students, College Faculty
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Wollner, Clemens; Ginsborg, Jane – British Journal of Music Education, 2011
Team teaching--two or more teachers sharing the training of a group of students--has only recently been implemented in the curricula of many higher music education institutions. This article reports on a survey of 142 music students and their tutors from three departments (the Schools of Strings, Vocal and Opera Studies, and Wind, Brass and…
Descriptors: Team Teaching, Music Education, College Instruction, College Students
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