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Bjøntegaard, Bjørg Julsrud – British Journal of Music Education, 2015
Instrumental teachers in higher music education in Norway and elsewhere traditionally organise their teaching as individual lessons with one teacher and one student. This paper takes a closer look at how a horn teacher at the Norwegian Academy of Music has organised her weekly teaching in individual, small group and master class lessons with all…
Descriptors: Foreign Countries, Music Teachers, College Faculty, Music Education
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Juntunen, Marja-Leena – British Journal of Music Education, 2014
The purpose of this study was to examine the visions of teacher educators of instrumental pedagogy (n = 12) in higher music education regarding "good" teaching and instrumental student teacher preparation. The theoretical basis for the study was research on teachers' visions (Hammerness, 2006): teachers' own conceptions of ideal teaching…
Descriptors: Teacher Educators, Teacher Attitudes, Foreign Countries, Music Education
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Johansson, Karin – British Journal of Music Education, 2013
This paper describes a longitudinal, collaborative case study, made in the framework of the project Students' Ownership of Learning (SOL) during one academic year with one vocal teacher and two female students. The aim of the study was to relate the interaction between the teacher's and the students' intentions and expectations to…
Descriptors: Undergraduate Students, Music Education, Longitudinal Studies, Case Studies
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Parkes, Kelly A.; Daniel, Ryan – British Journal of Music Education, 2013
The purpose of this study was to explore why highly trained musicians choose to teach in higher education. An international population from nine countries of music instrument teachers was sampled via online survey, to determine their reasons for teaching in higher education. Motivational constructs from the expectancy-value framework were used,…
Descriptors: Music Education, Musicians, Online Surveys, Music Teachers
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Kardos, Leah – British Journal of Music Education, 2012
I am a composer, producer, pianist and part-time music lecturer at a Further Education college where I teach composing on Music Technology courses at levels 3 (equivalent to A-level) and 4 (Undergraduate/Foundation Degree). A "Music Technology" course, distinct from a "Music" course, often attracts applicants from diverse musical backgrounds; it…
Descriptors: Music Education, Music, Computer Software, Computers
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Haddon, Elizabeth – British Journal of Music Education, 2011
This paper explores the concept of instrumental/vocal learning when studying the same instrument or voice with more than one concurrent teacher. In this context, teachers may be working as a team, or one or both teachers may not know of the other's contribution to a student's learning. Qualitative data from music students and teachers at the…
Descriptors: Music Education, Music Teachers, College Students, College Faculty
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Wollner, Clemens; Ginsborg, Jane – British Journal of Music Education, 2011
Team teaching--two or more teachers sharing the training of a group of students--has only recently been implemented in the curricula of many higher music education institutions. This article reports on a survey of 142 music students and their tutors from three departments (the Schools of Strings, Vocal and Opera Studies, and Wind, Brass and…
Descriptors: Team Teaching, Music Education, College Instruction, College Students
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Burwell, Kim – British Journal of Music Education, 2005
Undergraduate training represents a crucial stage of development for instrumentalists, including singers, as they begin to mature as independent musicians and learners. This paper asks how instrumental and vocal teachers in higher education approach this stage of student development. It focuses on the use of questions by teachers, as they…
Descriptors: Music Education, Musical Instruments, Singing, College Faculty
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Mills, Janet – British Journal of Music Education, 2004
This article describes an innovative approach to analysing, describing and evaluating the careers of musicians, and applies it in the case of 37 "professors", that is, instrumental teachers, working at a conservatoire in the UK. The professors emerge as flexible and committed musicians who enjoy teaching conservatoire students, and who…
Descriptors: Music Education, Musicians, Foreign Countries, Careers