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Pub Date: |
2002-00-00 |
Pub Type(s): |
Guides - Classroom - Teacher |
Peer Reviewed: |
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Descriptors:
Art Activities; Class Activities; Classroom Techniques; Grade 4; Greek Literature; Intermediate Grades; Learning Activities; Lesson Plans; Mythology; Scoring Rubrics; Student Educational Objectives; Teacher Developed Materials; Visual Arts
Abstract:
The visual arts offer aesthetic, perceptual, creative, and intellectual opportunities. This lesson points out that by creating and painting mythological characters, students will improve their ability to analyze, reorganize, critique, and create. The lesson also intends for fourth-grade students to gain insight into Greek culture through the exploration of Greek mythology. It offers an overview; suggests length and grade level; lists subjects and subtopics; cites dimensions of learning and intelligences being addressed; notes equipment and materials needed; lists teacher resources; and addresses National Standards for Arts Education. The lesson also identifies instructional objectives and strategies; provides a detailed, step-by-step instructional plan; and suggests assessment activities. Contains teacher references and a rubric for an art activity, as well as a rubric for group presentation and participation. (NKA)
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ERIC
Full Text (181K)
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Author(s): |
Devenish, Alan |
Source: |
Teaching English in the Two-Year College, v27 n4 p407-15 May 2000 |
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Pub Date: |
2000-00-00 |
Pub Type(s): |
Guides - Classroom - Teacher; Journal Articles; Reports - Evaluative |
Peer Reviewed: |
Yes |
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Descriptors:
Classical Literature; Greek Literature; Higher Education; Literature Appreciation; Student Attitudes
Abstract:
Examines community college students' choices of favorite works after a one-year composition and literature course. Finds "Antigone" was the favorite. Claims Greek classical works put students in contact with a distant culture that they find intriguing. Suggests juxtaposing a classical work with one from another time and culture to avoid assuming the classics into a rigid cultural hegemony. (NH)
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Author(s): |
N/A |
Source: |
N/A |
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Pub Date: |
2000-00-00 |
Pub Type(s): |
Guides - Non-Classroom |
Peer Reviewed: |
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Descriptors:
Greek Civilization; Greek Literature; High Schools; Internet; Language Arts; Lesson Plans; Theater Arts; Writing Assignments
Abstract:
Ancient languages are the deepest root of the humanities, drawing life from that distant time when the study of history, philosophy, literature, and of language itself began. On the Internet, students can return to those times, re-enter that age of discovery, and gain the linguistic skills to help keep the many branches of the humanities rooted there strong and vital. The learning objectives of this lesson plan are: to gain an appreciation for Greek drama through the study of a play by Sophocles ("Antigone"); to explore the cultural and historical context of Greek drama and its role in Greek society; and to reconstruct the experience of seeing a Greek drama performed and share that experience in an imaginative report. The lesson plan also contains the subject areas covered in the lesson, time required to complete the lesson, the skills used in the lesson, the grade level (10-12), and lists of the standards developed by professional or government associations that are related to the lesson as well as activities to extend the lesson. (RS)
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Full Text (99K)
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Pub Date: |
1998-04-07 |
Pub Type(s): |
Books; Opinion Papers |
Peer Reviewed: |
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Descriptors:
Ancient History; Classical Literature; College Curriculum; Core Curriculum; Educational Change; Graduate Study; Greek Literature; Higher Education; Liberal Arts; Undergraduate Study
Abstract:
This book argues that if we lose our knowledge of the Greek classics, we lose our understanding of Western culture and who we are. Familiarity with the literature, art, and philosophy of the classical world has been synonymous with "education" in the West for over two millennia. The Greek tenets of democracy, capitalism, materialism, personal freedom, civil liberty, and constitutional government are uniquely dynamic and are the bases upon which rest the changes now sweeping the globe. However, the universities and high schools have seen classical education disappear from the curriculum and this is, at least partly, due to classicists themselves who, instead of serving as stewards of the Western legacy, have in the name of modernity, denigrated the Greeks or abandoned the teaching of undergraduates in favor of esoteric and little-read academic research. The book suggests that what is needed to reverse this trend is a core undergraduate curriculum focused on Western Culture, little undergraduate specialization, major changes in education at the Ph.D. level, and a revision of professional ethics. Individual chapters are titled: (1) "Homer is Dead"; (2) "Thinking Like a Greek"; (3) "Who Killed Homer--And Why?"; (4) "Teaching Greek Is Not Easy"; and (5) "What We Could Do." A proposed reading list is appended.) (DB)
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Pub Date: |
1997-00-00 |
Pub Type(s): |
Books; Collected Works - General |
Peer Reviewed: |
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Descriptors:
Classical Literature; Drama; Greek Civilization; Greek Literature; Higher Education; Literary Criticism; Playwriting; Secondary Education
Abstract:
Intended as an accessible resource for students researching the Greek dramatist Sophocles (born 496 B.C.), this collection of essays contains an in-depth biography of the playwright and writings from a wide variety of sources. The essays are edited to accommodate the reading and comprehension levels of young adults; each essay is introduced by a concise summation of the contributor's themes and insights. Additional features include an annotated table of contents, a chronology of Sophocles' life and career as well as of concurrent historical events, and primary and secondary bibliographies to facilitate research. The 19 essays and their authors include: "Sophocles' Use of Mythology" (C.M. Bowra); "Sophocles' Mastery of Character Development" (Werner Jaeger); "Sophocles' Moral Themes" (Robert D. Murray, Jr.); "Comparing Sophocles to Aeschylus" (Edith Hamilton); ""How Sophocles Viewed and Portrayed the Gods" (Herbert J. Muller); "In Sophoclean Tragedy, Humans Create Their Own Fate" (Frank B. Jevons); "Sophocles' Invention of the Third Actor Widened the Scope of Drama" (H.D.F. Kitto); "Sophocles' Many Uses of the Chorus" (G.M. Kirkwood); "Sophocles' Comic Relief: The Satyr Plays" (William Nickerson Bates); "The Oedipus Legend" (Bernard M.W. Knox); "An Overview of 'Oedipus the King'" (Sheldon Cheney); "Oedipus Endures the Test of Time" (Charles R. Walker); "A Great Translator's Reflections on "Oedipus the King'" (Gilbert Murray); "The Oedipus Complex: A Theory under Fire" (Bruce Bower); "Ajax: Lonely Hero of a Bygone Age" (Bernard M.W. Knox); "Sophocles Is Interpreted in Black Gospel Music" (Mimi Kramer); "An Opera Version of 'Oedipus the King'" (Arthur Holmberg); "Sophocles on Film" (Jon Solomon); and "'Oedipus at Colonus' Is a Statement of Hope" (Robert Fitzgerald). (NKA)
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